I think you're being a bit unfair on Pennine and don't understand why that's of any relevance. All I can get from that is because I've helped to co-organize it and shot a little promo for them, you've leapt upon it like a tiger on a gazelle to in some way ruffle my feathers. No one else on here has anything to do with it. Actually Cop drove someone from the train station as a favour, I can't miss that out as he was a good man for that.
Chris Bernard has just been in and delivered an absolutely brilliant masterclass on television and short film, which also touched on his earlier feature film work. He was very entertaining and shared anecdotes. Most importantly he shared his experience of working in television, as well as conventions of television to young people who may take something from it. I think that's a good thing in the X Factor/Big Brother generation.
Getting Alex Cox over to Accrington to talk about his career and show his film is one of the proudest moments I'll have. Normally you would have to travel to a city for that kind of evening. And as ever he was a gentleman, very funny and I'm sure inspired a lot of people.
Going back to films... To be fair to you, you did add 'that is only my opinion' which is important. All opinions and reviews are subjective, some may be even constructive and create a better filmmaker (think Kevin Smith going from the bad reviews of Mallrats, to Chasing Amy which is absolutely superb and was raved about by critics). Believe me, I've had a few people who have disliked my film or simply gone... It's okay. Perhaps there are more but they haven't actually said it to my face. On a more positive note I've had some who think it's great. They've rated it far higher than myself who if you knew me, you'd know how humble I am about what we've done. Infact I think Jon Williams gets a bit pissed off with downplaying things.
Steve Balshaw who has no gripes with telling someone he doesn't like something really likes it. Steve really takes no prisoners. Alex Cox really liked it but disagreed with a few moments in the film. If he wanted to make me happy, he could have easily said... "Genius!" But he didn't, he gave constructive feedback because that's the kind of nurturing good natured person he is. Don't believe for one minute he, or Chris Bernard for that matter pulled any punches. And that's why when they say they like something I believe it, because they've told me when they haven't. I don't know if you have ever met Chris, but he can be quite cutting with remarks if he cares enough.
And that's why if someone doesn't like it, fair enough. It was a little film made for £3000 in our back yards. As Andrew MacDonald said about Shallow Grave... It's a film made for £1.2mil, not everyone's going to like it, some people downright hated it, but some people really liked it and that's what we were hoping for.
So those are my thoughts on our film. And as I said, and to be fair so have you, your opinions are subjective. To bring this back on topic, the facts are we did have a deal with a distributor, who had a deal with the UKFC, which would have got the film into 100+ cinemas. It didn't because the Digital Screen Network fell apart at the seams. Regardless of anything, that much is true and if that had happened, it would be far easier for me to pitch for a real budget for another film (as other filmmakers who have made grainy first features have, Peter Jackson for one). Foreign sales are another thing. If a film has a domestic theatrical run, no matter how small or short, it's easier to sell to other territories. We've actually been told this by distributors and sales agents. As it happens I've had to take it on the chin and keep the creativity going rather than dwell on what might have been.
Coppack says he's not interested in the politics of any of this, but I doubt he would be quite as dismissive if the same happens to Bar Stewards. I really hope Cop he doesn't have to go through that.
By the way, the only problem with this thread is that I would have put 'Promote Film Exhibition', not NW film exhibition.